The Cure The Peel Sessions Rar !!HOT!!
Because, more than most, Cocker came to embody the spirit of the show. As he writes in his affectionate sleevenotes to this new compendium of sessions, the Peel Show changed his life, saved his life, and very nearly wrecked his life. Indeed, the most intriguing track on these two discs might be the brief silence between "Refuse to Be Blind"-- the last Martin Hannett-y spasm of adolescent anguish from their first session-- and "Pink Glove" from their second, the first sign of their triumphant transformation into authentic, poised pop artists. Those two seconds elide 12 lost years of misfires, mishaps, and misadventures, during which Cocker admits "there were times when I did secretly curse John Peel for encouraging me to turn my back on the straight and narrow." I imagine those anticlimactic years provided the inspiration for one of Cocker's finest songs: "1st Man in Space" (performed by Phil Oakey for the All Seeing I in 1999), which tells the story of Sheffield's first astronaut, returning to Earth expecting life-changing acclaim, but finding only lonely indifference: "Why does no one want to know what I saw?"
The Cure The Peel Sessions Rar
John Peel's BBC 1 radio show was highly influential, giving so many bands their first radio exposure over the nearly 40 years he was on the air. His show also featured original studio sessions from artists, from Bowie, T-Rex and Nick Drake to Joy Division, The Smiths, The Cure and The Fall, to My Bloody Valentine, Nirvana, Sonic Youth, PJ Harvey, Mogwai, Yeah Yeah Yeahs, and more. Over the years over 4,000 sessions were recorded by over 2,000 artists.
The Peel Sessions were issued by Strange Fruit records in 1990 and comprised of two separate sessions with John Peel, the first in January 1981 (Tracks 1-4), just six months after the Western Works session, and the second in June of 1982 (Tracks 5-8). By this point, Gillian Gilbert had joined the group and the band had started to take a decidedly more electronic path. The addition of the synthesizers is both very pronounced and, to my ears, welcome.
Park City - Mango Milkshake IPA: Orange juice body with a thin, frothy white foam with decent retention and lacing. Sugar cookie dough aroma with abundant vanilla and tropical fruits. Smells like an Orange Julius with a slap of bitter peel. This really does taste like one too. Orange and vanilla creamsicle with a noticeable pineapple finish. Sweet confectioners sugar base, but once again shows off some pithy bite and even the slightest but of pine. 5.0%
2 Row -Sledgehammer: TrIPA: Pours a very cloudy and bright gold color with two finger sudsy head that fizzles down in a few minutes to a film with chunky lacing. Aroma is citrus peel with a sharp, almost spicy tang to it on the pour. This sharpness dies down to a very pleasant sweet orange scent. Really nice. The taste is so crisp and full of orange flavor with a little pineapple behind it. Wow they did a great job of hopping this one. Clean finish with a bit of seltzer to tingle the tongue. No alcohol burn (at least while cold). Feel is unsticky, just really crisp and light and refreshing. Very low bitterness and not much malt coming through at all - which is what gives it that ethereal quality. 10.5%
The record that came out of the sessions remains arguably the pinnacle of a style that others went on to adopt in the following years. AOC set a template others followed but none really managed to improve upon. It is all too brief - its nine tracks clocking in at under 35 minutes - and as it was released on a major label it did not qualify for the independent charts, so although it probably sold well enough, it did so largely below the radar, and without the benefit of a chart placing to attract further attention and help tempt the curious into investigating. It's clear that a raft of musicians who would follow in short order were paying careful attention: Geoff remembers a conversation a few years later with Clint Mansell, who told him Pop Will Eat Itself would not have begun using samples had it not been for AOC; Carter USM were fans; Jesus Jones and EMF had hits with sample-laced guitar pop songs that owed a significant debt to One Thousand Years and the other records it influenced. The ripples even spread out beyond the UK, with Geoff arguing (persuasively) that it's their way of looping a small section of Sly & The Family Stone's 'Thank You (Falettin Me Be Mice Elf Agin)' in 'This Is Crush Collision' that Jimmy Jam and Terry Lewis used to make Janet Jackson's 'Rhythm Nation' in 1989 rather than the original track. Yet this Rosetta Stone of British pop rarely gets the attention it so clearly merits.
The only way I can explain how I felt leaving the hospital is an overwhelming sinking feeling inside. I recall having to consciously force myself to breathe. But I also felt comforted knowing that I was now under the medical expertise of global leaders in their field. Their dedication and commitment to improving the scleroderma patient landscape invoked huge hope in me that a cure would be discovered within my lifetime.
My new medical team took no time in getting me hooked up to the chemo drips. I had two sessions before the Christmas holiday, which was repeated at the start of 1999. At the same time I was taking mycophenolate mofetil (mmf, 2g/day). By Easter 1999, my skin symptoms gradually eased, and I was taken off the stem cell transplant list.
I'm glad to see you took grape seed extract and it helped blood flow. . . I have scleroderma and I want to try that . . . the pressure in my pulmonary artery is going up and I have to see a specialist . . . I know the grape seed extract has a form of nitric oxide in it to help blood flow, but wasn't sure it was ok for a scleroderma patient.Also I'd like to mention a helpful tip for others who have calcinosis due to Raynauds . . . you can make a bandage from a banana peel . . . soft part (pulp side down on top of the calcium "plug" area (put a bandage around to hold). . . leave it on overnight and depending on how hard the calcium plug is the "banana pulp" will release it . . . took about 2 weeks for a very hard plug to come out of my finger and if it's still liquid the calcium, it will come out in a few days. . . . I've cured my fingers of the calcinosis plugs every time . . . Thanks for writing about the grape seed extract. . . Emilia
My 7 year old son has been suffering from past 2 years,it is very difficult as we parents going through and for him I don't no what he is going through because as a child he cannot express and we are also trying to understand him but one thing definitely I will cure him so please help me by references and hope that God will never punish his pupil like this type of deadly rarest desease any more
I was diagnosed in 1985 as a young child. My skin was extremely hard and my legs were deformed. My hands ended up like claws. Dr's told me I wouldn't make it to be 10 years of age, which wasn't that far away. With the help of prednisone and alot of physical and occupational therapy, I went into recovery in 1986. It was a fight but I made it. I'm a very active 46 year old woman now. My skin feels great, even though I have small hands and my legs are very skinny. Over all I'm doing good. Would love to see a cure found for this disease one day.
I too am a proud Sceleroderma patient, proud coz I have acceptance now that it has come from God and only He can cure me of it. I have everything that's on the list Raynaud's, Crest, ILD and so on. Was diagnosed in 2004, still fighting. Taking 100 mg Azathioprine daily as part of a maintenance plan.
The Passions' first single, issued in March 1979 on the Soho label, was the double A-side "Needles and Pills" (written by Dyde) and "Body and Soul", which assisted in gaining the band a recording contract with Fiction Records. By the time the band recorded the first of their three Peel sessions in November 1979, Barker had departed and Gogan took over as lead vocalist.